Description
This BFI Film Classics study of Tokyo Monogatari/Tokyo Story (1953) reveals the making, meaning and legacy behind Ozu Yasujiro's masterpiece. Ozu's moving family drama is universally acknowledged as one of the most significant Japanese films ever made. In its complex portrait of human motivation and lively sense of social space, it offers a profound and poignant insight into the generational shifts of post-war Japan. Alastair Phillips provides an in-depth analysis of the film and its key locations - the city of Tokyo, the town of Onomichi and the coastal resort of Atami - with a discussion of its representation of Japanese society at a time of great cultural change. Drawing upon Japanese and English language sources, he situates the film within various contemporary critical and industrial contexts and examines the multiple international dimensions of Tokyo Story's long after-life to understand its enormous contribution to global film culture.
This BFI Film Classics study of Tokyo Story (1953) reveals the making, meaning and legacy behind Ozu Yasujiro's masterpiece, providing new insights for film fans the world over.
About the Author
Alastair Phillips is Professor of Film Studies at the University of Warwick, UK. He is the co-editor (with Hideaki Fujiki) of The Japanese Cinema Book (BFI, 2020) and Japanese Cinema: Texts and Contexts (2007) (with Julian Stringer). He is an editor of Screen.
Reviews
Generations the world over have pondered the complex beauty of Tokyo Story. Alastair Phillips pulls back the veil of awe that has come to surround the film over the years to reveal the making, meaning, and legacy of Ozu's masterpiece. -- Michael Crandol, author of Ghost in the Well: The Hidden History of Horror Films in Japan
This is Alastair Phillips's personal and professional cinematic journey from Tokyo to Onomichi. In this concise BFI volume, Phillips provides a detailed textual, socio-historical, and biographical analysis on Ozu Yasujiro and his masterwork. -- Daisuke Miyao, University of California, San Diego, USA
Alastair Phillips' Tokyo Story, a volume included in the continuing BFI Film Classics series ... contains one of the most comprehensive and detailed discussions on this film. This is achieved not only through a close analysis of the entire text but also by examining every step of the filmmaking process from preproduction to reception, both in Japan and worldwide. This thorough approach, aided by several supporting primary sources in Japanese, makes this small volume a unique contribution to contemporary Ozu studies. -- Woojeong Joo * Journal of Japanese and Korean Cinema *
Book Information
ISBN 9781911239239
Author Alastair Phillips
Format Paperback
Page Count 112
Imprint BFI Publishing
Publisher Bloomsbury Publishing PLC
Series BFI Film Classics
This BFI Film Classics study of Tokyo Story (1953) reveals the making, meaning and legacy behind Ozu Yasujiro's masterpiece, providing new insights for film fans the world over.
About the Author
Alastair Phillips is Professor of Film Studies at the University of Warwick, UK. He is the co-editor (with Hideaki Fujiki) of The Japanese Cinema Book (BFI, 2020) and Japanese Cinema: Texts and Contexts (2007) (with Julian Stringer). He is an editor of Screen.
Reviews
Generations the world over have pondered the complex beauty of Tokyo Story. Alastair Phillips pulls back the veil of awe that has come to surround the film over the years to reveal the making, meaning, and legacy of Ozu's masterpiece. -- Michael Crandol, author of Ghost in the Well: The Hidden History of Horror Films in Japan
This is Alastair Phillips's personal and professional cinematic journey from Tokyo to Onomichi. In this concise BFI volume, Phillips provides a detailed textual, socio-historical, and biographical analysis on Ozu Yasujiro and his masterwork. -- Daisuke Miyao, University of California, San Diego, USA
Alastair Phillips' Tokyo Story, a volume included in the continuing BFI Film Classics series ... contains one of the most comprehensive and detailed discussions on this film. This is achieved not only through a close analysis of the entire text but also by examining every step of the filmmaking process from preproduction to reception, both in Japan and worldwide. This thorough approach, aided by several supporting primary sources in Japanese, makes this small volume a unique contribution to contemporary Ozu studies. -- Woojeong Joo * Journal of Japanese and Korean Cinema *
Book Information
ISBN 9781911239239
Author Alastair Phillips
Format Paperback
Page Count 112
Imprint BFI Publishing
Publisher Bloomsbury Publishing PLC
Series BFI Film Classics
