Description
The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on the country's early twentieth-century culture.
This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision - Filippo Tommaso Marinetti, founder of Futurism; Gabriele D'Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author's outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them.
About the Author
Michael Syrimis is an assistant professor in the Department of French and Italian at Tulane University.
Reviews
'Syrimis expresses sophisticated arguments in an elegant and straightforward style. His interdisciplinary scholarship contributes significantly to Italian Studies, but will also appeal to Cinema Studies as well as scholars interested in the intersection of technology and art in Italy.'
-- Michael Edwards * Modern Language Review vol 111:01:2016 *Book Information
ISBN 9781442644014
Author Michael Syrimis
Format Hardback
Page Count 376
Imprint University of Toronto Press
Publisher University of Toronto Press
Series Toronto Italian Studies
Weight(grams) 700g
Dimensions(mm) 236mm * 160mm * 30mm
