Description
Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.
Relates the history of Japanese film to the history of the capitalist transformation of Japan.
About the Author
Eric Cazdyn is Assistant Professor of East Asian Studies, Film, and Comparative Literature at the University of Toronto.
Reviews
"Cazdyn's work is original, unique, and provocative. He asks hard questions, makes surprising connections, and as a result forces us to rethink the relationship of the aesthetic and the social in Japanese modernity."-Mitsuhiro Yoshimoto, author of Kurosawa: Film Studies and Japanese Cinema
"This book redesigns the way in which Japanese cinema must be approached, taking into account the 'longer term' dynamics of economic formations as well as the way Japan is stitched into 'global' contemporary processes."-Paul Willemen, author of Looks and Frictions: Essays in Cultural Studies and Film Theory
Book Information
ISBN 9780822329121
Author Eric Cazdyn
Format Hardback
Page Count 328
Imprint Duke University Press
Publisher Duke University Press
Series Asia-Pacific: Culture, Politics, and Society
Weight(grams) 771g