Description
An in-depth exploration of the stardom and authorship of Stephen Chow Sing-chi, one of Hong Kong cinema's most enduringly popular stars and among its most commercially successful directors. In the West, Chow is renowned as the ground-breaking director and star of global blockbusters such as Kung Fu Hustle (2004) and Shaolin Soccer (2001), and among Hong Kong audiences, Chow is celebrated as the leading purveyor of local comedy, popularising the so-called mo-lei-tau ("gibberish") brand of Cantonese vernacular humour, and cultivating a style of madcap comedy that often masks a trenchant social commentary. This volume approached Chow from a diverse range of critical perspectives. Each of the essays, written by a host of renowned international scholars, offers compelling new interpretations of familiar hits such as From Beijing with Love (1994) and Journey To the West (2013). The detailed case studies of seminal local and global hits provide overdue critical attention to Chow's filmmaking, highlighting the aesthetic power, economic significance and cultural impact of his films in both domestic and global markets.
An in depth study of one of Hong Kong's foremost auteurs and stars, Stephen Chow, analyzing his filmmaking from a wide and dynamic range of critical perspectives.
About the Author
Gary Bettinson is Senior Lecturer in Film Studies at Lancaster University, UK. He is author of The Sensuous Cinema of Wong Kar-wai (2015). He is co-editor (with James Udden) of The Poetics of Chinese Cinema (2016), and (with Daniel Martin) of Hong Kong Horror Cinema (2018). He is chief editor of the journal Asian Cinema. Vivian Lee is author of The Other Side of Glamour: The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond (2020) and Hong Kong Cinema since 1997: the Post-nostalgic Imagination (2009). She is editor of East Asian Cinemas: Regional Flows and Global Transformations (2011). Her work on Hong Kong cinema, East Asian cinema, and cultural heritage has appeared in collected volumes and academic journals including Modern Chinese Literature and Culture, Journal of Chinese Cinemas, Telos, Wasafari, and International Journal of Heritage Studies.
Book Information
ISBN 9781350362130
Author Gary Bettinson
Format Hardback
Page Count 304
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Series Global East Asian Screen Cultures
An in depth study of one of Hong Kong's foremost auteurs and stars, Stephen Chow, analyzing his filmmaking from a wide and dynamic range of critical perspectives.
About the Author
Gary Bettinson is Senior Lecturer in Film Studies at Lancaster University, UK. He is author of The Sensuous Cinema of Wong Kar-wai (2015). He is co-editor (with James Udden) of The Poetics of Chinese Cinema (2016), and (with Daniel Martin) of Hong Kong Horror Cinema (2018). He is chief editor of the journal Asian Cinema. Vivian Lee is author of The Other Side of Glamour: The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond (2020) and Hong Kong Cinema since 1997: the Post-nostalgic Imagination (2009). She is editor of East Asian Cinemas: Regional Flows and Global Transformations (2011). Her work on Hong Kong cinema, East Asian cinema, and cultural heritage has appeared in collected volumes and academic journals including Modern Chinese Literature and Culture, Journal of Chinese Cinemas, Telos, Wasafari, and International Journal of Heritage Studies.
Book Information
ISBN 9781350362130
Author Gary Bettinson
Format Hardback
Page Count 304
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Series Global East Asian Screen Cultures
