Description
Artificial bodies constructed in human likeness, from uncanny automatons to mechanical dolls, have long played a complex and subtle role in human identity and culture. This book takes a range of these bodies, from antiquity to the present day, to explore how we seek out echoes, caricatures and replications of ourselves in order to make sense of the complex world in which we live. Packed with case studies, from the commedia del'arte to Hans Bellmer and the 1980s supermodel, this volume explores the divide between the "real" and the constructed. Arguing that the body "other" plays a crucial role in the formation of the self physically and psychologically, leading scholar Adam Geczy contends that the "natural" body has been replaced by a series of imaginary archetypes in our post-modern world, central to which is the figure of the doll. The Artificial Body in Fashion and Art provides a much-needed synthesis of constructed bodies across time and place, drawing on fashion theory, theatre studies and material culture, to explore what the body means in the realms of identity, gender, performance and art.
Dolls and puppets, models and mannequins, continue to fascinate and engage our cultural imagination. This book is the first to draw together a range of case studies across fashion, theatre, popular culture and art to provide an unprecedented history of "fake" bodies.
About the Author
Adam Geczy is an artist and writer, and teaches at Sydney College of the Arts, the University of Sydney, Australia. He is the author and co-author of numerous books, the most recent being Fashion and Art (Berg, 2012) and Fashion's Double (Bloomsbury Academic, 2015).
Reviews
The mixture and range of cultural forces at play in this scintillating manuscript takes us on a cultural magical mystery tour that is as exciting as it is surprising, as provocative as it is erudite, as original as it is imaginative, and as thrilling as it is perverse. * Joy Sperling, Professor of Art History and Visual Culture, Denison University, USA *
A profoundly innovative study that presents surprising and far-reaching insights into the complex intersections between the phenomenology of dolls, masquerade and marionettes and post-modern subjectivities. * Mary Gluck, Professor of History and Comparative Literature, Brown University, USA *
Using several social science disciplines, Geczy undertakes a valuable overview of the changing significance of the doll in previous centuries and today. His analysis reveals important changes that are taking place in women's conceptions of the female body. * Diana Crane-Herve, University of Pennsylvania, USA *
This book is a completely fascinating read that takes you far beneath the surface of appearances by stripping bare a myriad of meanings of dolls in our lives, from baby to adult. It makes you think, and re-think, by drawing on diverse histories of theatre, art, fashion, aesthetics, technology, religion, philosophy and psychoanalysis, literature, film, gender and cultural theory. Geczy brilliantly guides the reader in this rich account that cannot be pigeon-holed by discipline-it is a must read for all interested in the relationship between our minds, bodies and soul. -- Alexandra Palmer, Nora E. Vaughn Fashion Curator, Royal Ontario Museum, Canada
Painting a broad canvas Geczy provides a rich and detailed landscape that links ideas stretching from Jane Munro's Silent Partners: Artist and Mannequin from Function to Fetish - a cultural history that traces centuries of evolution of the artist's mannequin within the context of an expanding universe of effigies, avatars, dolls, and shop window dummies - to Yuval Harari's Sapiens: A Brief History of Humankind, which provides an evolutionary history of our species towards an unfolding future that witnesses the fusion between natural bodies and cyber limbs in a scientific odyssey involving non-organic-life engineering. Geczy adds an important piece in the jigsaw of the scholarship on dolls and masks, that examined the boundaries of the animate and inanimate in dolls and representations. -- Efrat Tseelon, author of Masquerade & Identities (2001), University of Leeds, UK
Readers of Geczy's book are in for a wild ride. The lavishly illustrated narrative moves in broad strokes from the commedia dell'arte to cyborgs, with grossout plastic surgery disasters and live sex dolls in between ... I recommend this book to anyone who enjoys a good recuperation of a neglected scholar, likes their art and fashion history mixed with a liberal dose of philosophical and social theory, or is simply curious about the role of dolls and the artificial body in the development of human self-understanding ... Geczy's work makes for a thought-provoking, informative, and fascinating read. * Utopian Studies *
The Artificial Body in Fashion and Art provides a much-needed synthesis of constructed bodies across time and place, drawing on fashion theory, theatre studies and material culture, to explore what the body means in the realms of identity, gender, performance and art. -- ADDRESS: Journal for Fashion Criticism
Book Information
ISBN 9781472595959
Author Adam Geczy
Format Paperback
Page Count 216
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Weight(grams) 478g
Dolls and puppets, models and mannequins, continue to fascinate and engage our cultural imagination. This book is the first to draw together a range of case studies across fashion, theatre, popular culture and art to provide an unprecedented history of "fake" bodies.
About the Author
Adam Geczy is an artist and writer, and teaches at Sydney College of the Arts, the University of Sydney, Australia. He is the author and co-author of numerous books, the most recent being Fashion and Art (Berg, 2012) and Fashion's Double (Bloomsbury Academic, 2015).
Reviews
The mixture and range of cultural forces at play in this scintillating manuscript takes us on a cultural magical mystery tour that is as exciting as it is surprising, as provocative as it is erudite, as original as it is imaginative, and as thrilling as it is perverse. * Joy Sperling, Professor of Art History and Visual Culture, Denison University, USA *
A profoundly innovative study that presents surprising and far-reaching insights into the complex intersections between the phenomenology of dolls, masquerade and marionettes and post-modern subjectivities. * Mary Gluck, Professor of History and Comparative Literature, Brown University, USA *
Using several social science disciplines, Geczy undertakes a valuable overview of the changing significance of the doll in previous centuries and today. His analysis reveals important changes that are taking place in women's conceptions of the female body. * Diana Crane-Herve, University of Pennsylvania, USA *
This book is a completely fascinating read that takes you far beneath the surface of appearances by stripping bare a myriad of meanings of dolls in our lives, from baby to adult. It makes you think, and re-think, by drawing on diverse histories of theatre, art, fashion, aesthetics, technology, religion, philosophy and psychoanalysis, literature, film, gender and cultural theory. Geczy brilliantly guides the reader in this rich account that cannot be pigeon-holed by discipline-it is a must read for all interested in the relationship between our minds, bodies and soul. -- Alexandra Palmer, Nora E. Vaughn Fashion Curator, Royal Ontario Museum, Canada
Painting a broad canvas Geczy provides a rich and detailed landscape that links ideas stretching from Jane Munro's Silent Partners: Artist and Mannequin from Function to Fetish - a cultural history that traces centuries of evolution of the artist's mannequin within the context of an expanding universe of effigies, avatars, dolls, and shop window dummies - to Yuval Harari's Sapiens: A Brief History of Humankind, which provides an evolutionary history of our species towards an unfolding future that witnesses the fusion between natural bodies and cyber limbs in a scientific odyssey involving non-organic-life engineering. Geczy adds an important piece in the jigsaw of the scholarship on dolls and masks, that examined the boundaries of the animate and inanimate in dolls and representations. -- Efrat Tseelon, author of Masquerade & Identities (2001), University of Leeds, UK
Readers of Geczy's book are in for a wild ride. The lavishly illustrated narrative moves in broad strokes from the commedia dell'arte to cyborgs, with grossout plastic surgery disasters and live sex dolls in between ... I recommend this book to anyone who enjoys a good recuperation of a neglected scholar, likes their art and fashion history mixed with a liberal dose of philosophical and social theory, or is simply curious about the role of dolls and the artificial body in the development of human self-understanding ... Geczy's work makes for a thought-provoking, informative, and fascinating read. * Utopian Studies *
The Artificial Body in Fashion and Art provides a much-needed synthesis of constructed bodies across time and place, drawing on fashion theory, theatre studies and material culture, to explore what the body means in the realms of identity, gender, performance and art. -- ADDRESS: Journal for Fashion Criticism
Book Information
ISBN 9781472595959
Author Adam Geczy
Format Paperback
Page Count 216
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Weight(grams) 478g
