Description
The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound - music, voice, sound effects and silence - is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.
About the Author
Heidi Wilkins is a journalist and independent scholar. She has taught film studies at the University of Essex and has published several articles about film sound and gender in contemporary American cinema.
Book Information
ISBN 9781474425902
Author Heidi Wilkins
Format Paperback
Page Count 280
Imprint Edinburgh University Press
Publisher Edinburgh University Press
Series ReFocus
About the Author
Heidi Wilkins is a journalist and independent scholar. She has taught film studies at the University of Essex and has published several articles about film sound and gender in contemporary American cinema.
Book Information
ISBN 9781474425902
Author Heidi Wilkins
Format Paperback
Page Count 280
Imprint Edinburgh University Press
Publisher Edinburgh University Press
Series ReFocus
