Description
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
Springer Book Archives
About the Author
PAUL COATES Professor in Film Studies at the University of Western Ontario, Canada. He has taught at McGill and the University of Aberdeen. His publications include The Story of the Lost Reflection (1985), The Gorgon's Gaze (1991), Cinema, Religion and the Romantic Legacy (2003), The Red and the White: The Cinema of People's Poland (2005) and Cinema and Colour (2010).
Reviews
Book Information
ISBN 9781349334650
Author P. Coates
Format Paperback
Page Count 195
Imprint Palgrave Macmillan
Publisher Palgrave Macmillan
Weight(grams) 454g
Springer Book Archives
About the Author
PAUL COATES Professor in Film Studies at the University of Western Ontario, Canada. He has taught at McGill and the University of Aberdeen. His publications include The Story of the Lost Reflection (1985), The Gorgon's Gaze (1991), Cinema, Religion and the Romantic Legacy (2003), The Red and the White: The Cinema of People's Poland (2005) and Cinema and Colour (2010).
Reviews
'Sharing Barthes' and Bergman's premise that the human face remains central to cinematic art, Coates' new book draws on film theory, philosophy, art history, and cultural studies to produce fresh, startling insights on the films that truly matter. The range of examples is as impressive as the erudition.' - Lloyd Michaels, Allegheny College, USA
Book Information
ISBN 9781349334650
Author P. Coates
Format Paperback
Page Count 195
Imprint Palgrave Macmillan
Publisher Palgrave Macmillan
Weight(grams) 454g
Details
Imprint: |
Palgrave Macmillan |
