Description
Takes a transnational, feminist approach to the oeuvre of Palestinian director, Annemarie Jacir An entirely different approach to Palestinian film culture, in that the focus on a singular woman filmmaker who works internationally informs our insights into the contemporary Arab world Rejection of the typical Western view that Arab cinema is a cinema of male auteurs, and instead offer a concrete description of a strong Arab woman filmmaker's career Interlace Jacir's contemporary poetic/written, her filmic/visual and her critical/curatorial work with historical and political theory.Focused critical analysis of the visual representation of Palestine in the global perception of place Opens new vistas of discovery and interest into Palestinian film culture and its persistent focus on space and land. With this book, we root our work in the geospatial reality of Palestinian film culture and move towards a deeper understanding of transnationalism, refugeeship, and the power of a global identity Draws attention to Palestinian women directors and their contribution, which often gets lost in the geopolitics Palestinian film culture is unique due to its geopolitical circumstances, including continued colonialism and occupation, and the refugeeship of its citizens. The scholarship on the politics of film and its role in the Israeli-Palestinian conflict including activist work, international solidarity films, and work on Palestinian documentaries is usually defined by historical overviews of geopolitical events and developments. In contrast, this book offers an auteur-focused study of a global artist influenced by but not limited to the political discourse surrounding the Occupied Palestinian Territories. Jacir is a Palestinian woman whose work is recognised globally as innovative, politically challenging, and genre-crossing. The book offers an in-depth study of her films and other works by locating it in a geospatial, sociocultural, and critical theoretical framework. It critically analyses Annemarie Jacir's development as an artist, filmmaker, and curator of film.
About the Author
Iqra Shagufta Cheema is a Postdoctoral Research Fellow at Middle Tennessee State University.Stefanie Van de Peer is Reader in Film & Media at Queen Margaret University
Reviews
"This is a well-documented study which offers an intimate vision of the evolution of Jacir's film oeuvre, and how Palestinian cinema and audio-visual practices can become acts of resistance exposing the incongruous cultural memories of diverse Palestinian generations and their struggles for the homeland, freedom, and transnational identity in exile." -Ihab Saloul, Author of Catastrophe and Exile in the Modern Palestinian Imagination: Telling Memories
Book Information
ISBN 9781474480918
Author Iqra Shagufta Cheema
Format Hardback
Page Count 176
Imprint Edinburgh University Press
Publisher Edinburgh University Press
Series ReFocus: The International Directors Series
About the Author
Iqra Shagufta Cheema is a Postdoctoral Research Fellow at Middle Tennessee State University.Stefanie Van de Peer is Reader in Film & Media at Queen Margaret University
Reviews
"This is a well-documented study which offers an intimate vision of the evolution of Jacir's film oeuvre, and how Palestinian cinema and audio-visual practices can become acts of resistance exposing the incongruous cultural memories of diverse Palestinian generations and their struggles for the homeland, freedom, and transnational identity in exile." -Ihab Saloul, Author of Catastrophe and Exile in the Modern Palestinian Imagination: Telling Memories
Book Information
ISBN 9781474480918
Author Iqra Shagufta Cheema
Format Hardback
Page Count 176
Imprint Edinburgh University Press
Publisher Edinburgh University Press
Series ReFocus: The International Directors Series
