Description
Rather than consider animated figures as unified wholes, Agnoli views them as complexes of signs, made up of visual, aural, and narrative components that complement, contradict, and otherwise interact with each other in the creation of meaning. Every one of these components matters, as they are each the result of a series of creative decisions made by various personnel across different production processes. This volume (re)constructs production narratives for Avatar and Korra using original and preexisting interviews with cast and crew members as well as behind-the-scenes material. Each chapter addresses how different types of components were generated, tracing their development from preliminary research to final animation. In doing so, this project identifies the interlocking sets of production communities behind the making of animation and thus behind the making of racialized identities.
Due to its illusory and constructed nature, animation affords untapped opportunities to approach the topic of race in media, looking beyond the role of the actor and taking into account the various factors and processes behind the production of racialized performances. The analysis of race and animation calls for a holistic approach, one that treats both the visual and the aural as intimately connected. This volume offers a blueprint for how to approach the analysis of race and animation.
About the Author
Francis M. Agnoli is an independent animation scholar who specializes in the production of racialized identities in US television animation. His work has been published in the edited collection Fantasy/Animation: Connections Between Media, Mediums and Genres and in the journals Animation: An Interdisciplinary Journal and Animation Studies.
Book Information
ISBN 9781496845092
Author Francis M. Agnoli
Format Paperback
Page Count 216
Imprint University Press of Mississippi
Publisher University Press of Mississippi