Description
Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.
Explains how a new kind of independent production company, The Mirisch Company, remade Hollywood in the decade between the end of the studio system in the mid-50s and the emergence of the so-called "Movie Brats" (Spielberg, Scorsese, Coppola and Lucas) some 15 years later.
About the Author
Paul Kerr teaches TV Production at Middlesex University, UK, but spent almost 25 years as a television producer, making dozens of programmes for the BBC and Channel Four, including the award-winning cinema series Moving Pictures (BBC2 1990-96). Among his many documentaries are programmes about the making of two Mirisch classics, The Magnificent Seven and Some Like it Hot. His previous publications include The Hollywood Film Industry, (1986) and MTM: Quality Television (BFI, 1984).
Reviews
Often overshadowed by United Artists, the Mirisch Company never received the scholarly attention it so richly deserved for having produced some of the best known films that United Artists released in the postwar era. Paul Kerr's new book fills this gap spectacularly! Not only is Hollywood Independent a tour-de-force account of a company's major contribution to Hollywood cinema but also a book that revises and rewrites American film history. This a major achievement! * Yannis Tzioumakis, Reader in Film and Media Industries, University of Liverpool, UK *
Paul Kerr's Hollywood Independent makes a significant contribution to our understanding of the complicated transition from the postwar classical studio era to the New Hollywood of the 1970s. Kerr combines insightful scrutiny of corporate records, contemporaneous trade press, and the scholarly literature with original analyses of dozens of individual films, both famous and forgotten. Hollywood Independent uses the history of the Mirisch brothers, Hollywood's most prominent independent producers, to challenge many of the prevailing assumptions regarding this important but neglected moment in cinema history. Meticulously researched and engagingly written, Kerr's book offers a rich and convincing account of the lasting changes in cinematic style, thematic content, and industry practices pioneered by the Mirisch company, changes crucial in understanding the past half century of American cinema. * William Boddy, Professor of Film and Media Studies, Baruch College and the Graduate Center, City University of New York, NY, and author of Fifties Television: The Industry and Its Critics (1992) *
Book Information
ISBN 9781501336751
Author Dr. Paul Kerr
Format Hardback
Page Count 336
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
Explains how a new kind of independent production company, The Mirisch Company, remade Hollywood in the decade between the end of the studio system in the mid-50s and the emergence of the so-called "Movie Brats" (Spielberg, Scorsese, Coppola and Lucas) some 15 years later.
About the Author
Paul Kerr teaches TV Production at Middlesex University, UK, but spent almost 25 years as a television producer, making dozens of programmes for the BBC and Channel Four, including the award-winning cinema series Moving Pictures (BBC2 1990-96). Among his many documentaries are programmes about the making of two Mirisch classics, The Magnificent Seven and Some Like it Hot. His previous publications include The Hollywood Film Industry, (1986) and MTM: Quality Television (BFI, 1984).
Reviews
Often overshadowed by United Artists, the Mirisch Company never received the scholarly attention it so richly deserved for having produced some of the best known films that United Artists released in the postwar era. Paul Kerr's new book fills this gap spectacularly! Not only is Hollywood Independent a tour-de-force account of a company's major contribution to Hollywood cinema but also a book that revises and rewrites American film history. This a major achievement! * Yannis Tzioumakis, Reader in Film and Media Industries, University of Liverpool, UK *
Paul Kerr's Hollywood Independent makes a significant contribution to our understanding of the complicated transition from the postwar classical studio era to the New Hollywood of the 1970s. Kerr combines insightful scrutiny of corporate records, contemporaneous trade press, and the scholarly literature with original analyses of dozens of individual films, both famous and forgotten. Hollywood Independent uses the history of the Mirisch brothers, Hollywood's most prominent independent producers, to challenge many of the prevailing assumptions regarding this important but neglected moment in cinema history. Meticulously researched and engagingly written, Kerr's book offers a rich and convincing account of the lasting changes in cinematic style, thematic content, and industry practices pioneered by the Mirisch company, changes crucial in understanding the past half century of American cinema. * William Boddy, Professor of Film and Media Studies, Baruch College and the Graduate Center, City University of New York, NY, and author of Fifties Television: The Industry and Its Critics (1992) *
Book Information
ISBN 9781501336751
Author Dr. Paul Kerr
Format Hardback
Page Count 336
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
