Description
This book is both a personal journey and an introduction to the cinema cultures of Africa. A book about the politics of cultural survival, it is also a major overview of African cinema and television. The first part of the book traces the development of African cinema - from colonization to Afrocentrism. The author examines this development through a variety of fundamental themes: the decolonization of the imagination; the quest for legendary African origins and the mobilization of African cultural values. The second part of the book analyses specific films, particularly through narrative and in terms of their African specificity - in the use of silence, orality and humour. Finally, the author explores the social and economic contexts of the African cinema and television industry - including its often vexed relations with the West and the problems of production and distribution African film-makers face. Exploring the achievements and challenges of those who seek to affirm African cultural values through film, the book also covers the African television industry and African-American cinema. It includes interviews with film-makers, stills from the films and, ultimately, a plea for seeing and respecting the otherness of the Other. Winner of the French National Film Centre's best filmbook of 1997 and now available in four languages, this is book which takes us into a process of learning how to look.
This title won the French National Film Centre's Best Filmbook of 1997 award.
About the Author
Olivier Barlet is film critic and chief editor of the monthly magazine Africultures (L Harmattan, Paris). He has translated many books about Africa and by African authors.
Reviews
'This is an excellent book: fresh, graceful, perspicacious, intelligent, current, and always alive with passionate sympathy for its subject... Barlet has impressive powers of synthesis, fashioning an insightful and often elegant thematic argument out of a vast quantity of material... It is hard to do justice to the richness of the book in a brief review... This is very much a book about understanding across cultures and the necessity of multiculturalism ... it is an "invitation au voyage", as Barlet says, and a singularly attractive introduction to African film.' Jonathan Haynes in Research in African Literatures 'The reader will discover the book's depth and a wealth of information on the varied cinemas of Africa.' International Journal of African Historical Studies
Book Information
ISBN 9781856497435
Author Olivier Barlet
Format Paperback
Page Count 328
Imprint Zed Books Ltd
Publisher Bloomsbury Publishing PLC
This title won the French National Film Centre's Best Filmbook of 1997 award.
About the Author
Olivier Barlet is film critic and chief editor of the monthly magazine Africultures (L Harmattan, Paris). He has translated many books about Africa and by African authors.
Reviews
'This is an excellent book: fresh, graceful, perspicacious, intelligent, current, and always alive with passionate sympathy for its subject... Barlet has impressive powers of synthesis, fashioning an insightful and often elegant thematic argument out of a vast quantity of material... It is hard to do justice to the richness of the book in a brief review... This is very much a book about understanding across cultures and the necessity of multiculturalism ... it is an "invitation au voyage", as Barlet says, and a singularly attractive introduction to African film.' Jonathan Haynes in Research in African Literatures 'The reader will discover the book's depth and a wealth of information on the varied cinemas of Africa.' International Journal of African Historical Studies
Book Information
ISBN 9781856497435
Author Olivier Barlet
Format Paperback
Page Count 328
Imprint Zed Books Ltd
Publisher Bloomsbury Publishing PLC
