Women in the Cinemas of Iran and Turkey: As Images and as Image-Makers Gonul Donmez-Colin (Independent scholar, France) 9781138485112

i) the first comprehensive analysis of the cinemas of Iran and Turkey comparing the presence and absence of women on both sides of the camera from early days to present

ii) first-hand accounts of film-making practices by women in Iran and Turkey

iii) feminist readings of canonical works by distinguished male and female film-makers from Iran and Turkey

iv) focus on the representations of sexualities and LGBTI identities in the cinemas of two Islamic countries with diverse cultural, traditional and state-imposed restrictions

v) focus on one of the most important contemporary disasters, the refugee crisis and the issue of borders through the gaze of the woman film-makers who interpret the residues of traumas on the female body and memory through artistic expressions

vi) a rare comparison of the works of Abbas Kiarostami and Nuri Bilge Ceylan from a feminist perspective

Goenul Doenmez-Colin is a film scholar specializing in the cinemas of the Middle East and Central Asia. She is the author of The Routledge Dictionary of Turkish Cinema, Turkish Cinema: Identity, Distance and Belonging, Cinemas of the Other: A Personal Journey with Filmmakers from the Middle East and Central Asia, Women, Islam and Cinema amongst other works.

"In this intelligent analysis of Turkish and Iranian cinemas the author highlights the role of women both as objects and as creative forces. She provides a close reading of the genre and raises a series of intriguing questions and observations. The book is a noteworthy achievement as well as a stimulating read. Anyone interested in Middle Eastern culture and society will find Doenmez-Colin's ideas on the topic rewarding." - Oliver Leaman, University of Kentucky, USA

"A book to wander within as one would within a miniature painting, to circle around, to reflect upon, to celebrate, to question our notions of the image in this age of net-series -a book of revelations by one of the most insightful & compassionate writers on cinema I know: Goenul Doenmez-Colin" - Anup Singh, Film-maker

"A comprehensive study of the presence and absence of women, this timely, informative, and well-researched work offers insights into the construction, evolution, and transformation of images of women on screen, as well as their cultural meanings and sociopolitical significance, discussing in depth a wide range of issues related to women and gender identity and the role of the women filmmakers who have offered new perspectives on them. With its wide historical and critical scope, an invaluable and essential source for readers interested in the representation of women and gender identity in the cinemas of Iran and Turkey. " - Mehrnaz Saeed-Vafa, Coauthor, Abbas Kiarostami

"In this intelligent analysis of Turkish and Iranian cinemas the author highlights the role of women both as objects and as creative forces. She provides a close reading of the genre and raises a series of intriguing questions and observations. The book is a noteworthy achievement as well as a stimulating read. Anyone interested in Middle Eastern culture and society will find Doenmez-Colin's ideas on the topic rewarding." - Oliver Leaman, University of Kentucky, USA

"A book to wander within as one would within a miniature painting, to circle around, to reflect upon, to celebrate, to question our notions of the image in this age of net-series -a book of revelations by one of the most insightful & compassionate writers on cinema I know: Goenul Doenmez-Colin" - Anup Singh, Film-maker

"A comprehensive study of the presence and absence of women, this timely, informative, and well-researched work offers insights into the construction, evolution, and transformation of images of women on screen, as well as their cultural meanings and sociopolitical significance, discussing in depth a wide range of issues related to women and gender identity and the role of the women filmmakers who have offered new perspectives on them. With its wide historical and critical scope, an invaluable and essential source for readers interested in the representation of women and gender identity in the cinemas of Iran and Turkey. " - Mehrnaz Saeed-Vafa, Coauthor, Abbas Kiarostami

"This book offers a thoughtful overview and comparison of women's involvement in Iranian and Turkish filmmaking, including female characters, performers, and directors . . . The scope of Doenmez-Colin's study gives a strong sense of complexities for female performers, filmmakers, and viewers throughout the histories of Iranian and Turkish film. The comparison between films of Iran and Turkey (as well as their similarities to and differences from notable films of other national cinemas) makes for an especially valuable contribution to Iranian film scholarship, given that scholars have often focused on the cultural and political particularities of Iranian cinema rather than its broader relationship with transnational filmmaking." - Max Bledstein for Abstracta Iranica, Volume 42-43