Towards Embodied Performance: Directing and the Art of Composition Rachel Dickstein 9781032377728

Towards Embodied Performance invites directors and other generative performance makers to experiment with making their own original, visually stunning, sonically immersive, and physically rigorous embodied performance.

Through historical context, the author's 30-plus years of experience, and original interviews with leading theatre artists, this book sets the stage for a new generation of artists building boundary-breaking work. Directors are often categorized into one of only two frameworks: the Stanislavskian director, whose method is based in text analysis and character wants and needs, and the "auteur" director, whose work might focus on visual spectacle at the expense of text, or character objectives. This book argues that the director of embodied performance fuses these two approaches, acting as the author of the event. In Part I, readers will explore the core elements of embodied performance - space, time, body, language, and action - through a lens that bridges traditional directing methodology with experimental, devised, collaborative theatre-making. Part Two provides examples of this embodied practice by multi-disciplinary artists in visual and sound installation, film, dance-theatre, and new music/opera including Shirin Neshat, James Turrell, Bill T. Jones, Janet Cardiff, Okwui Okpokwasili, William Kentridge, and Heather Christian. Part Three suggests creative prompts and exercises for performance makers to engage the visual, physical, textual, and sonic in compositional storytelling on stage.

Towards Embodied Performance is an invaluable resource for theatre directors, devisers, and generative artists at all levels from students to teachers, from early-career to mid-career artists. Directors, actors, choreographers, designers, composers, writers, scholars, and engaged audience members all can use this text to explore collaboratively created performance that invites its audience into the ripest version of the present moment.

Rachel Dickstein is Associate Professor and Chair of Theatre and Performance at Purchase College, SUNY. She is a director, writer, and choreographer of opera, theatre, and dance-based performance, as well as the founding Artistic Director of the Obie-winning theatre company Ripe Time. Recent work includes the world premieres of Compass (ASU Gammage), Haruki Murakami's Sleep (BAM Next Wave Festival, Yale Rep, Annenberg), The World is Round (BAM-Fisher, Obie Award), and Septimus and Clarissa (Drama Desk, Drama League nominations, BPAC). Rachel also directs plays, chamber opera and new music theatre. Recent work includes Blood Moon (Beth Morrison Projects, Prototype), Desire (with Jack Quartet, Miller Theatre, Columbia), Thumbprint (LA Opera, Prototype), and In What Language? (Asia Society, REDCAT, PICA TBA Festival).

"In this compelling new book, the prolific director Rachel Dickstein illuminates the process of transforming text, ideas, and fixed narratives into powerful and fluid stage moments that combine the various languages of the theatre into a unified whole. She provides an alternative to the pervasive hierarchical methods of director training, and she does so in a way that sparks the reader's imagination."

Anne Bogart

"Towards Embodied Performance, by the award-winning director Rachel Dickstein, is an utterly original work. It is both generous and generative; by offering us a window into her creative methodologies, Dickstein also gives us a roadmap for creating our own. This text will prove invaluable for both practitioners (of all levels) and scholars (across artistic disciplines)."

Dr. Patty Gallagher, Performer and Professor of Performance, Play, and Design, UC Santa Cruz