Description
The films of Pedro Almodovar teem with characters who at once are and are not alter egos of the director. In film after film, the Spanish auteur mines his past for alternative selves, telling and retelling formative stories from his own life, plumbing the depths of his memory while exploring other lives he might have led. What can Almodovar's work tell us about the quest for self-knowledge-for understanding who we are and who we might yet become?
James Miller considers seven of Almodovar's most personal films, arguing that together they offer a revealing self-portrait of the director and his search for meaning. Beginning with Volver, Miller traces Almodovar's signature obsessions backward and forward through the director's filmography. Deeply shaped by the counterculture of the 1960s-which arrived belatedly in Franco's Spain-Almodovar has long been fascinated by the exhilarating power and devastating limitations of artistic and sexual transgression. In rich readings, Miller shows how Almodovar tests the blurry line between fiction and reality, the bounds of individual freedom, and the durability of a sense of self. In so doing, the director turns cinema into a form of philosophical investigation and self-exploration. A keenly observed, masterfully written portrait of one of world cinema's greatest creative forces, The Passion of Pedro Almodovar finds in film new ways to tell the story of a life.
About the Author
James Miller is professor of politics and liberal studies at the New School for Social Research. Among his books are Can Democracy Work? From Ancient Athens to Our World (2018); Examined Lives: From Socrates to Nietzsche (2011); Flowers in the Dustbin: The Rise of Rock and Roll (1999); and The Passion of Michel Foucault (1993).
Reviews
In Miller's hands, Pedro Almodovar's work emerges as a feast of creation, driven by a quest to describe, account for, and keep faith with his shared history and with himself. With wit and grace, Miller conjures from Almodovar's lamp a genie who is constantly testing the filmmaker's hard-won philosophy of art against his life and his life against that philosophy. -- Greil Marcus, author of Lipstick Traces: A Secret History of the Twentieth Century
This ambitious book treats Almodovar seriously as both trailblazing artist and transgressive moralist. As an introduction to Almodovar, it's not likely to be bettered; as a meditation on artmaking as self-fashioning, it's essential reading, and an important addition to Miller's brilliant body of work. -- Garth Greenwell, author of Small Rain
Book Information
ISBN 9780231220040
Author James Miller
Format Hardback
Page Count 208
Imprint Columbia University Press
Publisher Columbia University Press
James Miller considers seven of Almodovar's most personal films, arguing that together they offer a revealing self-portrait of the director and his search for meaning. Beginning with Volver, Miller traces Almodovar's signature obsessions backward and forward through the director's filmography. Deeply shaped by the counterculture of the 1960s-which arrived belatedly in Franco's Spain-Almodovar has long been fascinated by the exhilarating power and devastating limitations of artistic and sexual transgression. In rich readings, Miller shows how Almodovar tests the blurry line between fiction and reality, the bounds of individual freedom, and the durability of a sense of self. In so doing, the director turns cinema into a form of philosophical investigation and self-exploration. A keenly observed, masterfully written portrait of one of world cinema's greatest creative forces, The Passion of Pedro Almodovar finds in film new ways to tell the story of a life.
About the Author
James Miller is professor of politics and liberal studies at the New School for Social Research. Among his books are Can Democracy Work? From Ancient Athens to Our World (2018); Examined Lives: From Socrates to Nietzsche (2011); Flowers in the Dustbin: The Rise of Rock and Roll (1999); and The Passion of Michel Foucault (1993).
Reviews
In Miller's hands, Pedro Almodovar's work emerges as a feast of creation, driven by a quest to describe, account for, and keep faith with his shared history and with himself. With wit and grace, Miller conjures from Almodovar's lamp a genie who is constantly testing the filmmaker's hard-won philosophy of art against his life and his life against that philosophy. -- Greil Marcus, author of Lipstick Traces: A Secret History of the Twentieth Century
This ambitious book treats Almodovar seriously as both trailblazing artist and transgressive moralist. As an introduction to Almodovar, it's not likely to be bettered; as a meditation on artmaking as self-fashioning, it's essential reading, and an important addition to Miller's brilliant body of work. -- Garth Greenwell, author of Small Rain
Book Information
ISBN 9780231220040
Author James Miller
Format Hardback
Page Count 208
Imprint Columbia University Press
Publisher Columbia University Press
Details
Subtitle: |
A Self-Portrait in Seven Films |
Imprint: |
Columbia University Press |
