Description
Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Toepffer, Gustave Dore, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.
About the Author
Thierry Smolderen, Angouleme, France, is a comics writer and scholar who teaches at the Ecole europeenne superieure de l'image.|Bart Beaty, Calgary, Alberta, is associate professor of communication and culture at the University of Calgary. Together, Nick Nguyen and he have translated The System of Comics by Thierry Groensteen and Of Comics and Men: A Cultural History of the American Comic Book by Jean-Paul Gabilliet, both published by University Press of Mississippi.|Nick Nguyen, Brussels, Belgium, is an independent historian and researcher. Together, Bart Beaty and he have translated The System of Comics by Thierry Groensteen and Of Comics and Men: A Cultural History of the American Comic Book by Jean-Paul Gabilliet, both published by University Press of Mississippi.
Book Information
ISBN 9781617031496
Author Thierry Smolderen
Format Hardback
Page Count 168
Imprint University Press of Mississippi
Publisher University Press of Mississippi
Weight(grams) 1260g
Dimensions(mm) 309mm * 231mm * 17mm
Details
Subtitle: |
From William Hogarth to Winsor McCay |
Imprint: |
University Press of Mississippi |