Description
During the 1967 festival of Latin American Cinema in Vina del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices.
This book explores the institutional and aesthetic foundations of the New Latin American Cinema. Zuzana Pick maps out six areas of inquiry-history, authorship, gender, popular cinema, ethnicity, and exile-and explores them through detailed discussions of nearly twenty films and their makers, including Camila (Maria Luisa Bemberg), The Guns (Ruy Guerra), and Frida (Paul Leduc). These investigations document how the New Latin American Cinema has used film as a tool to change society, to transform national expressions, to support international differences, and to assert regional autonomy.
About the Author
Zuzana Pick is Professor of Film Studies at the School for Studies in Art and Culture at Carleton University, Ottawa. Her previous publications include Latin American Film Makers and the Third Cinema.
Book Information
ISBN 9780292765498
Author Zuzana M. Pick
Format Paperback
Page Count 263
Imprint University of Texas Press
Publisher University of Texas Press
Series Texas Film and Media Studies Series
Weight(grams) 454g
