Description
This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works.
About the Author
James Clarke is a UK-based film writer, contributing to numerous cinema-related publications. He has also taught Film Studies and designed Screenwriting courses at UK universities.
Reviews
Examines Cameron's place in the transitional paradigm of a post-analogue, posthuman, and painterly cinema where impossible bodies are rendered through reassuringly old-fashioned narrative and spectacular conventions that have made his films the biggest on the planet. This comprehensive study outlines how his enduring fascination with bleeding-edge technology has both caught the public imagination and time and again proved a touchstone of the zeitgeist. -- Harvey O'Brien, University College Dublin Informative, interesting, and effective... Reading James Clarke's The Cinema of James Cameron: Bodies in Heroic Motion helps readers to appreciate [Cameron's] influence and proves to be an intriguing experience. Film Matters
Book Information
ISBN 9780231169776
Author James Clarke
Format Paperback
Page Count 224
Imprint Wallflower Press
Publisher Columbia University Press
About the Author
James Clarke is a UK-based film writer, contributing to numerous cinema-related publications. He has also taught Film Studies and designed Screenwriting courses at UK universities.
Reviews
Examines Cameron's place in the transitional paradigm of a post-analogue, posthuman, and painterly cinema where impossible bodies are rendered through reassuringly old-fashioned narrative and spectacular conventions that have made his films the biggest on the planet. This comprehensive study outlines how his enduring fascination with bleeding-edge technology has both caught the public imagination and time and again proved a touchstone of the zeitgeist. -- Harvey O'Brien, University College Dublin Informative, interesting, and effective... Reading James Clarke's The Cinema of James Cameron: Bodies in Heroic Motion helps readers to appreciate [Cameron's] influence and proves to be an intriguing experience. Film Matters
Book Information
ISBN 9780231169776
Author James Clarke
Format Paperback
Page Count 224
Imprint Wallflower Press
Publisher Columbia University Press
Details
Subtitle: |
Bodies in Heroic Motion |
Series: |
Directors' Cuts |
Imprint: |
Wallflower Press |
