Description
Why do screen narratives remain so different in an age of convergence and globalisation that many think is blurring distinctions? This collection attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan
Springer Book Archives
About the Author
Alessandro Catania, University of Nottingham, UK Aaron Calbreath-Frasieur, University of Nottingham, UK Gloria Dagnino, Universita della Svizzera Italiana, Switzerland Claudio Pires Franco, University of Bedfordshire, UK Daniel Merlin Goodbrey, University of Hertfordshire, UK Matt Hills, Aberystwyth University, UK Richard McCulloch, Regent's University London, UK Jason Mittell, Middlebury College, USA Roberta Pearson, University of Nottingham Cecile Renaud, University of Roehampton, London, UK Anthony N. Smith, University of Nottingham, UK Iain Robert Smith, University of Roehampton, London, UK
Book Information
ISBN 9781349481927
Author R. Pearson
Format Paperback
Page Count 252
Imprint Palgrave Macmillan
Publisher Palgrave Macmillan
Springer Book Archives
About the Author
Alessandro Catania, University of Nottingham, UK Aaron Calbreath-Frasieur, University of Nottingham, UK Gloria Dagnino, Universita della Svizzera Italiana, Switzerland Claudio Pires Franco, University of Bedfordshire, UK Daniel Merlin Goodbrey, University of Hertfordshire, UK Matt Hills, Aberystwyth University, UK Richard McCulloch, Regent's University London, UK Jason Mittell, Middlebury College, USA Roberta Pearson, University of Nottingham Cecile Renaud, University of Roehampton, London, UK Anthony N. Smith, University of Nottingham, UK Iain Robert Smith, University of Roehampton, London, UK
Book Information
ISBN 9781349481927
Author R. Pearson
Format Paperback
Page Count 252
Imprint Palgrave Macmillan
Publisher Palgrave Macmillan
