Description
A guide for reader to learn to deploy the method of semiotics - a powerful system of analysis applied in many fields, including literature and psychology - to break down classic films then apply it to writing, developing and correcting their screenplays.
About the Author
Michael Tierno is Professor Emeritus of Film and Video Production at East Carolina University, USA. He is the author of Location and Postproduction Sound for Low Budget Filmmakers (2020) and Aristotle's Poetics for Screenwriters (2002). He is a narratologist, a former Miramax story analyst, and an award-winning writer and director of independent films, such as Through a Class Darkly (2016), Nocturne, the Girl Who Played Debussy (2010), and Auditions (1999).
Reviews
As Story Editor at the world's largest talent agency in a career that has spanned 35 years, I have read and analyzed over 60,000 screenplays. It's hard to imagine anyone could bring something new to the table, but Michael Tierno's Semiotics for Screenwriters revolutionizes screenplay analysis, creating a way for screenwriters to have a deeper understanding of their own writing process. Semiotics might sound scary, but Tierno's conversational style offers comprehensive examples of the system in action using popular films such as It's a Wonderful Life and Get Out. It's a college course for the price of a book. * Christopher Lockhart, Story Editor, William Morris Endeavor, USA *
Semiotics for Screenwriters is a left-of-center, intellectual, and flexible approach to constructing your screenplay. Unlike formulaic script advice books, it asks you to deeply consider how and why each moment works with others to build a great story. Most importantly, Tierno's method liberates you to 'play' with story elements as you move from inspiration, to outline, to script! * Michael Berg, Co-writer of the Ice Age Movie Franchise *
Book Information
ISBN 9781501390999
Author Michael Tierno
Format Paperback
Page Count 408
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc