Roadshow!: The Fall of Film Musicals in the 1960s Matthew Kennedy (Instructor in Film Studies and Anthropology, Instructor in Film Studies and Anthropology, City College of San Francisco, San Francisco, CA) 9780199925674

Full-page newspaper ads announced the date. Reserved seats went on sale at premium prices. Audience members dressed up and arrived early to peruse the program during the overture that preceded the curtain's rise. And when the show began, it was--a rather disappointing film musical. In Roadshow!, film historian Matthew Kennedy tells the fascinating story of the downfall of the big-screen musical in the late 1960s. It is a tale of revolutionary cultural change, business transformation, and artistic missteps, all of which led to the obsolescence of the roadshow, a marketing extravaganza designed to make a movie opening in a regional city seem like a Broadway premier. Ironically, the Hollywood musical suffered from unexpected success. Facing doom after its bygone heyday, it suddenly broke box-office records with three rapid-fire successes in 1964 and 1965: Mary Poppins, My Fair Lady, and The Sound of Music. Studios rushed to catch the wave, but everything went wrong. Kennedy takes readers inside the making of such movies as Hello, Dolly! and Man of La Mancha, showing how corporate management imposed financial pressures that led to poor artistic decisions-for example, the casting of established stars regardless of vocal or dancing talent (such as Clint Eastwood in Paint Your Wagon). And Kennedy explores the impact of profound social, political, and cultural change. The traditional-sounding Camelot and Doctor Dolittle were released in the same year as Sergeant Pepper's Lonely Hearts Club Band, representing a vast gulf in taste. The artifice of musicals seemed outdated to baby boomers who grew up with the Cuban missile crisis, the Kennedy and Martin Luther King Jr. assassinations, race riots, and the Vietnam War. From Julie Andrews to Barbra Streisand, from Fred Astaire to Rock Hudson, Roadshow! offers a brilliant, gripping history of film musicals and their changing place in our culture.

About the Author
Matthew Kennedy is a writer, film historian, and anthropologist. His books include three biographies of classic Hollywood figures: Marie Dressler, Edmund Goulding's Dark Victory, and Joan Blondell. He lives in San Francisco.

Reviews
Road-Show The Fall of Film Musicals in the 1960s by Matthew Kennedy is not just a great entertaining book, it's not just a book for all lovers of the genre, but it's so funny, plenty of anecdotes, intriguing facts that you won't never put down this book until its end, trust me. * Anna Maria Polidori, Alfemminile *
Everyone who loves the films of Fred Astaire, Judy Garland, and Gene Kelly wonders what happened to movie musicals after the 1960s. Roadshow! is an extensively researched and engagingly written account of the demise of musical film during those decades of tumultuous cultural upheaval. * Philip Furia, co-author of The Songs of Hollywood *



Book Information
ISBN 9780199925674
Author Matthew Kennedy
Format Hardback
Page Count 320
Imprint Oxford University Press Inc
Publisher Oxford University Press Inc
Weight(grams) 590g
Dimensions(mm) 165mm * 236mm * 33mm