Description
Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary.
By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by Andre Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns-particularly the link between cinematic realism and contingency-that the other essays explore further.
Among the topics addressed are the provocative mimesis of Luis Bunuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami.
A collection of essays rethinking and reviving realism as a focus for film theory, particularly emphasizing the relation of the genre to issues of the body
About the Author
Reviews
"These exciting and varied essays probe the relations between cinematic realism and representations of the body-above all the body as a guarantor (or not) of a link between images and the real. As in the best collections, the essays present distinctive points-of-view, yet they cohere around a compelling through-line, offering illumination and insight beyond just the sum of their parts."-Leo Charney, author of Empty Moments: Cinema, Modernity, and Drift
"Ivone Margulies's Rites of Realism is a stunning reconsideration of one of the most important and often underestimated issues in film studies-the complex nature of cinematic realism. Orchestrating a wide range of critical debates, this collection ranges brilliantly across decades, cultures, and individual films to remind us that realism at the movies has never been a more interesting and demanding topic. I highly recommend it for any serious student of film."-Timothy Corrigan, author of A Cinema without Walls: Movies and Culture after Vietnam
Book Information
ISBN 9780822330660
Author Ivone Margulies
Format Paperback
Page Count 360
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 481g
By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by Andre Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns-particularly the link between cinematic realism and contingency-that the other essays explore further.
Among the topics addressed are the provocative mimesis of Luis Bunuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami.
Contributors: Paul Arthur, Andre Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abe Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang
A collection of essays rethinking and reviving realism as a focus for film theory, particularly emphasizing the relation of the genre to issues of the body
About the Author
Ivone Margulies is Associate Professor in the Film and Media Studies Department at Hunter College. She is the author of Nothing Happens: Chantal Akerman's Hyperrealist Everyday.
Reviews
"These exciting and varied essays probe the relations between cinematic realism and representations of the body-above all the body as a guarantor (or not) of a link between images and the real. As in the best collections, the essays present distinctive points-of-view, yet they cohere around a compelling through-line, offering illumination and insight beyond just the sum of their parts."-Leo Charney, author of Empty Moments: Cinema, Modernity, and Drift
"Ivone Margulies's Rites of Realism is a stunning reconsideration of one of the most important and often underestimated issues in film studies-the complex nature of cinematic realism. Orchestrating a wide range of critical debates, this collection ranges brilliantly across decades, cultures, and individual films to remind us that realism at the movies has never been a more interesting and demanding topic. I highly recommend it for any serious student of film."-Timothy Corrigan, author of A Cinema without Walls: Movies and Culture after Vietnam
Book Information
ISBN 9780822330660
Author Ivone Margulies
Format Paperback
Page Count 360
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 481g
