Description
Raiding the Icebox is a kaleidoscopic review of the avant-garde and radical subcultures of the twentieth century, and explains how the most powerful artistic statements of the era redrew the line between high and low art.
Beginning with an analysis of the role of Diaghilev and the Russian Ballet, Wollen argues that modernism has always had a hidden, suppressed side which cannot easily be absorbed into the master-narrative of modernity.
Wollen reviews the hopes, fears and expectations of artists and critics such as the Bauhaus movement, as fascinated by Henry Ford's assembly line as they were by the Hollywood dream factory, concluding with Guy Debord's caustic dystopian vision of an all-consuming "Society of the Spectacle."
Finally, Wollen chronicles the emergence of a subversive sensibility as he explores some of the unexpected new cultural forms which non-Western artists are taking as modernism enters into crisis at the beginning of a new century: reversing the rules of the game and raiding the icebox of the West.
Groundbreaking study of radical subcultures by the influential cultural critic
About the Author
Peter Wollen was Chair of the Department of Film, Television and New Media at the University of California, Los Angeles. His other books include Paris/Hollywood: Writings on Film and Paris/Manhattan: Writings on Art.
Reviews
To engage with Raiding the Icebox is exhilarating. Wolllen's lightly carried erudition seems to belong to an earlier epoch, before the professionalization of the intellectual led to the construction of a dismaying language of criticism, notable for its ugly opacity. Throughout, Raiding the Icebox is a Pandora's box of cultural subversion, filled with an astonishingly wide range of histories of art and artists. -- Elizabeth Wilson * New Left Review *
Book Information
ISBN 9781844672509
Author Peter Wollen
Format Paperback
Page Count 230
Imprint Verso Books
Publisher Verso Books
Weight(grams) 382g
Dimensions(mm) 234mm * 157mm * 20mm
Beginning with an analysis of the role of Diaghilev and the Russian Ballet, Wollen argues that modernism has always had a hidden, suppressed side which cannot easily be absorbed into the master-narrative of modernity.
Wollen reviews the hopes, fears and expectations of artists and critics such as the Bauhaus movement, as fascinated by Henry Ford's assembly line as they were by the Hollywood dream factory, concluding with Guy Debord's caustic dystopian vision of an all-consuming "Society of the Spectacle."
Finally, Wollen chronicles the emergence of a subversive sensibility as he explores some of the unexpected new cultural forms which non-Western artists are taking as modernism enters into crisis at the beginning of a new century: reversing the rules of the game and raiding the icebox of the West.
Groundbreaking study of radical subcultures by the influential cultural critic
About the Author
Peter Wollen was Chair of the Department of Film, Television and New Media at the University of California, Los Angeles. His other books include Paris/Hollywood: Writings on Film and Paris/Manhattan: Writings on Art.
Reviews
To engage with Raiding the Icebox is exhilarating. Wolllen's lightly carried erudition seems to belong to an earlier epoch, before the professionalization of the intellectual led to the construction of a dismaying language of criticism, notable for its ugly opacity. Throughout, Raiding the Icebox is a Pandora's box of cultural subversion, filled with an astonishingly wide range of histories of art and artists. -- Elizabeth Wilson * New Left Review *
Book Information
ISBN 9781844672509
Author Peter Wollen
Format Paperback
Page Count 230
Imprint Verso Books
Publisher Verso Books
Weight(grams) 382g
Dimensions(mm) 234mm * 157mm * 20mm
