Practical Cinematography Paul Wheeler 9780240519623

Filmmaking is an art, but, like so many art forms, there are basic underlying tools and techniques and a body theoretical knowledge that must be understood and mastered before artistic expression can flourish. This book is an invaluable resource for all aspiring DoPs.

Practical Cinematography can be dipped into for quick reference - perhaps to answer a specific question or deal with practical problems relating to a shoot - or read from cover to cover. It discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.

Paul Wheeler BSC FBKS was trained at the BBC rising to become a Senior Drama Film Cameraman. Paul Shot one of the first BBC Drama Series to be photographed using the then new Digi Beta cameras, by which time he was freelance. He is a renowned cinematographer/director of photography and trainer, he has been Head of Cinematography at National Film & Television School and still runs courses on Digital Cinematography there. He has also been Head of Cinematography on the Royal College of Arts MA course. Paul was invited to become an associate of Panavision in order to help them introduce the Panavised version of Sony's HDW 900f camera which meant he joined the HD movement 3 days before the first Panavision camera arrived in Europe. Despite all this he is still very much a working cinematographer. He has been twice nominated by BAFTA for a Best Cinematography award and also twice been the winner of the INDIE award for Best Digital Cinematography. His previous books, "Practical Cinematography and "Digital cinematography, are both published by the Focal Press.

"This is a very practical and easily accessible explanation of the cinematographer's craft...It is a lucid reference book and readable guide and achieves its aim of supplying the foundation knowledge an aspiring DoP needs." - Zerb

"...there is absolutely no doubt that all the technical knowledge that a DoP needs can be found within these covers." - Image Technology magazine

"In his definitive tome Wheeler takes us through every aspect of the DOP's job from discussing the finer points of which film stock to use to film grading. This is a well-presented, copiously illustrated and definitive guide to practical cinematography. Although much of the information contained in the book is concerned with 35mm and 16mm film making, Wheeler's expert knowledge of the craft of lighting, use of filters, and creative use of lenses to create stunning cinemagraphic images will help any videographer improve their technical understanding of camera operation...This book is not a quick and easy read; it is a detailed and comprehensive masterclass in practical cinematography." - Focus magazine

"This book is very clearly illustrated with useful diagrams." - Stills Audio Motion

"The author covers in great detail the many aspects of the production of a motion picture from the director of photography's point of view and responsibility. He does this in a very understandable and interesting style...Paul Wheeler details the creating of an image as a top DP would desire. The book is very comprehensive and makes informative reading in a very enjoyable manner."
-John Leak, ACS, Australian Cinematographer magazine,

'I've attended one of Paul's lectures and although this book can only contain a part of his humour, a fraction of his experience and a hint of his enthusiasm it's a wonderful source of knowledge. It will provide a valuable insight to all budding cinematographers who should read it, learn it and then go out and make a film (not a video... a film)!'
Online bookseller's reader review

"The author covers in great detail the many aspects of the production of a motion picture from the director of photography's point of view and responsibility. He does this in a very understandable and interesting style."
-John Leak, ACS, Australian Cinematographer magazine,