Description
New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles and work that define Chinese filmmaking in the 1980s.
Analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution.
Reviews
"...New Chinese Cinemas...is undoubtedly the best singel-volume publication on contemporary Chinese cinema in English to date." Bulletin of Concerned Asian Scholars
Book Information
ISBN 9780521448772
Author Nick Browne
Format Paperback
Page Count 276
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 400g
Dimensions(mm) 227mm * 152mm * 20mm
Analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution.
Reviews
"...New Chinese Cinemas...is undoubtedly the best singel-volume publication on contemporary Chinese cinema in English to date." Bulletin of Concerned Asian Scholars
Book Information
ISBN 9780521448772
Author Nick Browne
Format Paperback
Page Count 276
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 400g
Dimensions(mm) 227mm * 152mm * 20mm
Details
Subtitle: |
Forms, Identities, Politics |
Imprint: |
Cambridge University Press |
