Description
Situating Bresson in radical and aesthetic political contexts, from surrealism to situationism, Neither God nor Master shows how his early style was a model for social resistance. We then see how, after May 1968, his films were in fact a series of reflections on the failure of revolution in France-especially as "failure" is understood in relation to Bresson's chosen literary precursors, Dostoyevsky and Tolstoy, and Russian revolutionary culture of the nineteenth century.
Restoring Bresson to the radical political culture from which he emerged-and to which he remained faithful-Price offers a major revision of the reputation of one of the most celebrated figures in the history of French film. In doing so, he raises larger philosophical questions about the efficacy of revolutionary practices and questions about interpretation and metaphysical tendencies of film historical research that have, until now, gone largely untested.
About the Author
Brian Price is associate professor of film and visual studies at the University of Toronto. He is coeditor of two volumes, On Michael Haneke and Color: The Film Reader, and a founding editor of World Picture, an online journal of critical theory.
Reviews
"Neither God nor Master, which resituates Robert Bresson's films in their complex relationships with literary, cinematic, and mass culture, addresses a major gap in film criticism. This exemplary book will reshape future debates about Bresson, and his place, not only in the French cinematic canon, but in French culture." -Scott Durham, Northwestern University
Book Information
ISBN 9780816654628
Author Brian Price
Format Paperback
Page Count 264
Imprint University of Minnesota Press
Publisher University of Minnesota Press
Dimensions(mm) 216mm * 140mm * 15mm