Description
Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the "monstrous-feminine", can be transformed, allowing these models to become more flexible.
An analysis of Japanese horror films from the 1990s and 2000s using Deleuzian concepts.
About the Author
Dr. Rachel Elizabeth Barraclough is an associate lecturer within the school of film and media at The University of Lincoln, UK. She received her PhD from the University of Lincoln in 2018. Her research interests lie in the horror genre, East Asian cinema and Deleuzian philosophy.
Reviews
Japanese Horror Cinema and Deleuze challenges conventional film analysis by exploring the genre's affective elements. Clear and engaging, this work is an important contribution to the discipline of cinema studies and is a must for students of film and philosophy. * Jay McRoy, Professor of English, University of Wisconsin - Parkside, USA *
This book provides an important intervention into the scholarship on Japanese horror by avoiding a well-worn hermeneutic approach to cinematic analysis, examining, instead, the many interconnections that develop between the bodies of audience members, films, and nations as cinematic works are created and viewed worldwide. In so doing, this study brings a fresh perspective to some of the iconic works of the genre. * Marc Yamada, Associate Professor, Comparative Arts & Letters, Brigham Young University, USA *
Book Information
ISBN 9781501375026
Author Dr. Rachel Elizabeth Barraclough
Format Paperback
Page Count 264
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
An analysis of Japanese horror films from the 1990s and 2000s using Deleuzian concepts.
About the Author
Dr. Rachel Elizabeth Barraclough is an associate lecturer within the school of film and media at The University of Lincoln, UK. She received her PhD from the University of Lincoln in 2018. Her research interests lie in the horror genre, East Asian cinema and Deleuzian philosophy.
Reviews
Japanese Horror Cinema and Deleuze challenges conventional film analysis by exploring the genre's affective elements. Clear and engaging, this work is an important contribution to the discipline of cinema studies and is a must for students of film and philosophy. * Jay McRoy, Professor of English, University of Wisconsin - Parkside, USA *
This book provides an important intervention into the scholarship on Japanese horror by avoiding a well-worn hermeneutic approach to cinematic analysis, examining, instead, the many interconnections that develop between the bodies of audience members, films, and nations as cinematic works are created and viewed worldwide. In so doing, this study brings a fresh perspective to some of the iconic works of the genre. * Marc Yamada, Associate Professor, Comparative Arts & Letters, Brigham Young University, USA *
Book Information
ISBN 9781501375026
Author Dr. Rachel Elizabeth Barraclough
Format Paperback
Page Count 264
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
