Japanese Cinema and Punk: Intermedial Exchanges Mark Player (University of Reading, UK) 9781350378568

In this book, Mark Player explores how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a time of crisis and change for Japan's film industry. Drawing on first-hand interviews with filmmakers of the jishu eiga (self-made film) tradition, such as such as Ishii Gakuryu, Yamamoto Masashi, Tsukamoto Shin'ya, and Fukui Shozin, Player explores how the bricolage style of punk was harnessed to create exciting intermedial film aesthetics informed by punk rock, graffiti painting, street performance, animation, and music technologies. Taking into account the practical, phenomenological and political ramifications of combining different media elements, Player offers in-depth readings of films such as Burst City (1982), Robinson's Garden (1987) and Tetsuo: The Iron Man (1989). He goes on to trace the changing sociocultural position of Japan's punk movement throughout the 1980s, from its euphoric early-80s highpoint to a growing dysphoria brought about by its co-opting and convergence by the mainstream.

An in-depth examination of the intermedial relationship between Japanese cinema and punk culture, focusing on Japan's 'punk generation' of filmmakers between the 1970s and 1980s.

About the Author
Mark Player is Lecturer in Film at the University of Reading, UK. He has been published in journals such as Japan Forum, Punk & Post Punk, and Film and Media Studies. His research interests include Japanese cinema, diaspora cinema, media distribution, punk, DIY and underground subcultures.


Book Information
ISBN 9781350378568
Author Mark Player
Format Hardback
Page Count 272
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Series World Cinema