Description
Korean cinema was virtually unavailable to the West during the Japanese colonial period (1910-1945), and no film made before 1943 has been recovered even though Korea had an active film-making industry that produced at least 240 films. For a period of 40 years, after Korea was liberated from colonialism, a time where Western imports were scarce, Korean cinema became an innovative force reflecting a society whose social and cultural norms were becoming less conservative. This collection of ten essays written about Im Kwon-Taek, better known as the father of New Korean cinema, takes a critical look at the situations of filmmakers in South Korea.
About the Author
David James is a professor of cinema studies at the University of Southern California. He is the author of Allegories of Cinema: American Film in the Sixties (Princeton University Press, 1989) and Power Misses: Essays Across (Un) Popular Culture (Verso Books, 1996).
Book Information
ISBN 9780814328699
Author David E. James
Format Paperback
Page Count 288
Imprint Wayne State University Press
Publisher Wayne State University Press
Series Contemporary Approaches to Film and Media Series
Weight(grams) 474g
About the Author
David James is a professor of cinema studies at the University of Southern California. He is the author of Allegories of Cinema: American Film in the Sixties (Princeton University Press, 1989) and Power Misses: Essays Across (Un) Popular Culture (Verso Books, 1996).
Book Information
ISBN 9780814328699
Author David E. James
Format Paperback
Page Count 288
Imprint Wayne State University Press
Publisher Wayne State University Press
Series Contemporary Approaches to Film and Media Series
Weight(grams) 474g
Details
Subtitle: |
The Making of a Korean National Cinema |
Series: |
Contemporary Approaches to Film and Media Series |
Imprint: |
Wayne State University Press |
