Description
The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Fredric Jameson and The Wolf of Wall Street offers a concise introduction to Jameson in jargon-free language and shows how his Marxist theories can be deployed to interpret Martin Scorsese's critically acclaimed 2013 film The Wolf of Wall Street. Beginning with a detailed account of Jameson's extensive writings on Marxist theory and how they have been deployed in the analysis of film writings, Clint Burnham then illustrates how Jameson's theory can help to make sense of The Wolf of Wall Street, a film that shows in all its glory the excesses, lunacies, and inner workings of 1990s finance capitalism. As Jameson has influentially argued, films like The Wolf of Wall Street are both complicit in and critical of their historical subject: Scorsese's film is not about the richest stockbrokers, but the Long Island penny traders who made it big. As a narrative of American success, it is also a film about failure. Clint Burnham's reading of Jameson and The Wolf of Wall Street is a book about a contemporary film, and contemporary events, and contemporary theory.
An exploration of Fredric Jameson's film theory and how it explicates Martin Scorsese's film The Wolf of Wall Street.
About the Author
Clint Burnham teaches theory and popular culture at Simon Fraser University, Canada. His books include The Jamesonian Unconscious: The Aesthetics of Marxist Theory (1995), The Only Poetry that Matters: Reading the Kootenay School of Writing (2011), and the collections Digital Natives (2011, co-ed. with Lorna Brown) and From Text to Txting: New Media in the Classroom (2012, co-ed. with Paul Budra).
Reviews
This breathless non-stop reading of the equally headlong Scorsese film not only uses my own work in an original and creative way (Burnham is one of my best interpreters), it has much that is new and stimulating to say about finance capital itself, and in particular about the status or this apparent mutation or globalized Aufhebung of the classical capitalism analyzed by Marx. Is it unproductive, immaterial, postindustrial, or even no longer capitalistic? Burnham's shrewd reading of this particular representation leads me to what is for me a satisfying and illuminating conclusion: namely that finance capital is an allegory of "real" capitalism! This is a lively and stimulating book! * Fredric Jameson, Knut Schmidt Nielsen Professor of Comparative Literature, Duke University, USA *
Nothing fugazi here. Clint Burnham has assembled an engaging tour of the critical theories of Fredric Jameson, resulting in perhaps the best introduction to this major figure that has ever been written. He deftly demonstrates the analytical powers of Jameson's concepts by opening up the ideological complexities of Martin Scorsese's The Wolf of Wall Street. By the end of the book, we see this entertaining and maddening movie as a shimmering product of our stage of capitalism, and we grasp completely the profound importance of confronting the political unconscious of our most visible cultural works. Highly recommended for scholars and students of contemporary culture who seek to understand the ideological atmosphere of our time and Scorsese's version of the strange rituals of Wall Street exuberance. * Charles Acland, Professor, Concordia University, Montreal, Canada *
Clint Burnham provides a patient and ambitious introduction to our greatest cultural thinker, Fredric Jameson, whose intellectual virtuosity has often eluded such clear engagement. This is an act of real generosity. At the same time, Burnham produces a bravura reading of Wolf of Wall Street and of Martin Scorsese, who may be the Jameson of US filmmaking. But the great achievement here is not simply to do these things together, but do them at once. It is a show-don't-tell triumph of dialectical thought that illuminates the real object of study here: not Jameson, not Scorsese, but the dialectic itself. * Joshua Clover, Professor of English and Comparative Literature, University of California Davis, US *
A commendably accessible and insightful introduction to Jameson's film theory and cultural critique, Burnham's book doubles as a witty and perceptive contribution to contemporary debates on the representability of class and financialized capitalism in a period of crisis. * Alberto Toscano, co-author of Cartographies of the Absolute and Reader in Critical Theory, Goldsmiths, University of London, UK *
Book Information
ISBN 9781501308345
Author Professor Clint Burnham
Format Paperback
Page Count 192
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
Series Film Theory in Practice
Weight(grams) 217g
An exploration of Fredric Jameson's film theory and how it explicates Martin Scorsese's film The Wolf of Wall Street.
About the Author
Clint Burnham teaches theory and popular culture at Simon Fraser University, Canada. His books include The Jamesonian Unconscious: The Aesthetics of Marxist Theory (1995), The Only Poetry that Matters: Reading the Kootenay School of Writing (2011), and the collections Digital Natives (2011, co-ed. with Lorna Brown) and From Text to Txting: New Media in the Classroom (2012, co-ed. with Paul Budra).
Reviews
This breathless non-stop reading of the equally headlong Scorsese film not only uses my own work in an original and creative way (Burnham is one of my best interpreters), it has much that is new and stimulating to say about finance capital itself, and in particular about the status or this apparent mutation or globalized Aufhebung of the classical capitalism analyzed by Marx. Is it unproductive, immaterial, postindustrial, or even no longer capitalistic? Burnham's shrewd reading of this particular representation leads me to what is for me a satisfying and illuminating conclusion: namely that finance capital is an allegory of "real" capitalism! This is a lively and stimulating book! * Fredric Jameson, Knut Schmidt Nielsen Professor of Comparative Literature, Duke University, USA *
Nothing fugazi here. Clint Burnham has assembled an engaging tour of the critical theories of Fredric Jameson, resulting in perhaps the best introduction to this major figure that has ever been written. He deftly demonstrates the analytical powers of Jameson's concepts by opening up the ideological complexities of Martin Scorsese's The Wolf of Wall Street. By the end of the book, we see this entertaining and maddening movie as a shimmering product of our stage of capitalism, and we grasp completely the profound importance of confronting the political unconscious of our most visible cultural works. Highly recommended for scholars and students of contemporary culture who seek to understand the ideological atmosphere of our time and Scorsese's version of the strange rituals of Wall Street exuberance. * Charles Acland, Professor, Concordia University, Montreal, Canada *
Clint Burnham provides a patient and ambitious introduction to our greatest cultural thinker, Fredric Jameson, whose intellectual virtuosity has often eluded such clear engagement. This is an act of real generosity. At the same time, Burnham produces a bravura reading of Wolf of Wall Street and of Martin Scorsese, who may be the Jameson of US filmmaking. But the great achievement here is not simply to do these things together, but do them at once. It is a show-don't-tell triumph of dialectical thought that illuminates the real object of study here: not Jameson, not Scorsese, but the dialectic itself. * Joshua Clover, Professor of English and Comparative Literature, University of California Davis, US *
A commendably accessible and insightful introduction to Jameson's film theory and cultural critique, Burnham's book doubles as a witty and perceptive contribution to contemporary debates on the representability of class and financialized capitalism in a period of crisis. * Alberto Toscano, co-author of Cartographies of the Absolute and Reader in Critical Theory, Goldsmiths, University of London, UK *
Book Information
ISBN 9781501308345
Author Professor Clint Burnham
Format Paperback
Page Count 192
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
Series Film Theory in Practice
Weight(grams) 217g
