Description
Frank Capra's films have had a lasting impact on American culture. His powerful depiction of American values, myths, and ideals was central famous Hollywood films as It Happened One Night, Mr. Smith Goes to Washington, and It's a Wonderful Life. These pre-war films are remembered for their depiction of an individual's overcoming adversity, populist politics, and an unflappable optimist view of life. This collection of nine essays by leading international film historians analyzes Capra's filmmaking during his most prolific period, from 1928 to 1939, taking a closer look at the more complex aspects of his work. They trace his struggles for autonomy against Columbia Pictures head Harry Cohn, his reputation as an amateur, and the ways in which working within studio modes of production my have enhanced the director's strengths. The contributors also place their critiques within the context of the changing fortunes of the Hollywood studio system, the impact of the Depression, and Capra's working relationships with other studio staff and directors. The contributors' access to nineteen newly restored Capra films made at Columbia during this period fills this collection with some of the most comprehensive critiques available on the director's early body of work.
Legendary film director Frank Capra composed a unique American vision, but how was that vision influenced by the strategies and production style of Columbia Pictures?
About the Author
Robert Sklar, Professor of Cinema at New York University, is the co-editor (with Charles Musser) of Resisting Images: Essays on Cinema and History (Temple), and the author of numerous books on film, including Movie-Made America: A Cultural History of American Movies, City Boys: Cagney, Bogart, and Garfield, and Film: An International History of the Medium, winner of the Kraszna-Krausz Book Award. Vito Zagarrio teaches film history at the University of Florence and film analysis at the University of Rome III, Italy.
Reviews
"The essays in this book are revealing and rich in insight into one of cinemas most important early directors and the economic entity which brought his work into being. Anyone interested in film history will find this to be a very readable and illuminating work." -ForeWord
Book Information
ISBN 9781566396080
Author Robert Sklar
Format Paperback
Page Count 293
Imprint Temple University Press,U.S.
Publisher Temple University Press,U.S.
Series Culture And The Moving Image
Dimensions(mm) 203mm * 127mm * 20mm
Legendary film director Frank Capra composed a unique American vision, but how was that vision influenced by the strategies and production style of Columbia Pictures?
About the Author
Robert Sklar, Professor of Cinema at New York University, is the co-editor (with Charles Musser) of Resisting Images: Essays on Cinema and History (Temple), and the author of numerous books on film, including Movie-Made America: A Cultural History of American Movies, City Boys: Cagney, Bogart, and Garfield, and Film: An International History of the Medium, winner of the Kraszna-Krausz Book Award. Vito Zagarrio teaches film history at the University of Florence and film analysis at the University of Rome III, Italy.
Reviews
"The essays in this book are revealing and rich in insight into one of cinemas most important early directors and the economic entity which brought his work into being. Anyone interested in film history will find this to be a very readable and illuminating work." -ForeWord
Book Information
ISBN 9781566396080
Author Robert Sklar
Format Paperback
Page Count 293
Imprint Temple University Press,U.S.
Publisher Temple University Press,U.S.
Series Culture And The Moving Image
Dimensions(mm) 203mm * 127mm * 20mm
Details
Subtitle: |
Authorship and the Studio System |
Series: |
Culture And The Moving Image |
Imprint: |
Temple University Press,U.S. |
