Description
Michael Mann's films receive a detailed analysis as existential dramas, including Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.
Springer Book Archives
About the Author
VINCENT M. GAINE is an Independent Scholar working in the area of Film, Television and Media Studies. He has published articles on digital film, superheroes in the new millennium, post 9/11 film and docu-drama, and continues to research philosophical filmmakers in contemporary Hollywood.
Reviews
Book Information
ISBN 9781349336722
Author Vincent M. Gaine
Format Paperback
Page Count 251
Imprint Palgrave Macmillan
Publisher Palgrave Macmillan
Weight(grams) 339g
Springer Book Archives
About the Author
VINCENT M. GAINE is an Independent Scholar working in the area of Film, Television and Media Studies. He has published articles on digital film, superheroes in the new millennium, post 9/11 film and docu-drama, and continues to research philosophical filmmakers in contemporary Hollywood.
Reviews
'Vincent Gaine's book is an object lesson in using philosophy to study cinema, persuasively arguing through close reading that the apparently disparate output of director Michael Mann is really a coherent body of film held together by existentialist themes.' - Jerry Goodenough, University of East Anglia, UK
'Gaine builds a sturdy academic thesis and occasional nuggets-on the doubling and mirroring in Heat and Manhunter for example- confirm his keen cinephile's eye...' - Jamie Russell, Total Film
Book Information
ISBN 9781349336722
Author Vincent M. Gaine
Format Paperback
Page Count 251
Imprint Palgrave Macmillan
Publisher Palgrave Macmillan
Weight(grams) 339g
