Description
This book examines the recent trend in global cinema to feature infectious disease.
As the global crisis of the COVID-19 pandemic materialised the anxieties and discourses of world risk that had long been portrayed in popular media, the book provides a novel definition of the epidemic film genre and offers a systematic look into the narrative and stylistic conventions that characterise it. Epidemic Cinema traces the evolution of the genre from its early cinematic origins to establish the founding principles of a genre standing at the crossroads between science-fiction and horror. It draws on close textual analysis to show how the pandemic reified one of the central predicaments of epidemic narratives: the constant tension existing between free-floating phenomena and the impulse to control and resist such phenomena, ultimately epitomised by the trope of the border. Showing how infectious diseases offer a rich allegorical frame which cinema uses to articulate timely anxieties of growingly invisible and deterritorialised risks, the author presents the prevalence of contagion in popular culture as a symptom of this growingly viral and virus-ridden context, both in its most literal and metaphorical sense.
This insightful study will interest students and scholars of film studies, global cinema, science-fiction, horror, popular culture and genre theory.
About the Author
Julia Echeverria is a Doctor in Film Studies from the University of Zaragoza, Spain, where she works as an Assistant Professor in the Faculty of Humanities
Book Information
ISBN 9781032541358
Author Julia Echeverria
Format Hardback
Page Count 238
Imprint Routledge
Publisher Taylor & Francis Ltd
Series Routledge Advances in Film Studies
Weight(grams) 620g