Cinematography: Theory and Practice: For Cinematographers and Directors Blain Brown 9780367373450

• Not just a comprehensive guide to current professional practices - it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them.
• Presents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production and covering the most up-to-date information on equipment.
• Also has an accompanying companion website with hours of video footage offering key instruction in topics such as camera basics, lighting essentials, shooting methods, and much more.

Blain Brown has been in the film business for over 30 years, working as a director of photography, director, screenwriter, producer, and editor. Before becoming a DP/Director, he worked as a lighting technician, gaffer, and grip. He has written, directed, and photographed feature films, commercials, music videos, and corporate videos. He has taught at several film schools in the Los Angeles area, including Columbia College, UCLA, Los Angeles Film School, and AFI. He studied architecture and planning at MIT, and the Harvard Graduate School of Design. His other books include The Basics of Filmmaking: Screenwriting, Producing, Directing, Cinematography, Audio, & Editing, Motion Picture and Video Lighting (3rd edition), and The Filmmaker's Guide to Digital Imaging.

'It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'
Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts

'As a practicing cinematographer who also teaches, I consider The Filmmaker's Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them.
Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University

'Just when you think a textbook can't get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.'
James Henderson, Filmmaker/photographer/educator

'This is a welcome updated version of Cinematography: Theory and Practice, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras, Image Control including a section on LUTs, and DIT & Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.'
Jeremy Bubb, Chair of NAHEMI. Filmmaker, and Academic.

'It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'
Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts

'As a practicing cinematographer who also teaches, I consider The Filmmaker's Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them.
Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University

'Just when you think a textbook can't get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.'
James Henderson, Filmmaker/photographer/educator

'This is a welcome updated version of Cinematography: Theory and Practice, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras, Image Control including a section on LUTs, and DIT & Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.'
Jeremy Bubb, Chair of NAHEMI; Filmmaker, and Academic