Burrows & Badgers: Second Edition by Michael Lovejoy

A new revised and expanded edition of the popular wargame Burrows & Badgers.

The Kingdom of Northymbra is a land in turmoil. King Redwulf is missing, and his son rules as regent in his stead, facing threats from within and without: growing dissention among the knights and nobles of the realm, whispers of revolution from the Freebeasts, Hillfolk raiding the borders, and bandits of all stripes making the most of the chaos.

Burrows & Badgers: Second Edition is a revised and expanded version of the popular tabletop skirmish game set in the ancient realm of Northymbra, a kingdom where mice, badgers, toads, and other animals wear armour, wield swords, and cast magic spells. This updated edition contains new content including additional background material, new species, warband types and a whole host of new spells, skills, and equipment.

Each model in Burrows & Badgers: Second Edition represents an individual character, and can be selected from a wide range of species - from the humble mouse to the mighty badger - and armed and equipped as desired. Scenarios link into ongoing campaigns, where heroes and villains may make their names and the assistance of infamous mercenaries might mean the difference between victory and defeat. Lead your warband from battle to battle, and uphold the name of your faction, whether you stand with Reinert's Royalists, the Freebeasts of the Fox Families, or simply for your own glory or survival.

Michael Lovejoy is one half of Oathsworn, a tiny company that produces miniatures, terrain and games. He has been a professional sculptor since 2001, and has worked on historical, fantasy and sci-fi projects in all scales and sizes. His main areas of interest are Science Fiction and Fantasy, with regular diversions into Early Imperial Rome and the Vikings. He also has a slightly unhealthy obsession with mid-14th century England...

Peter Johnston was born in Tooting, London, and was raised on a diet of military history, Greek mythology and comic books. His earliest drawings were strange reimaginings of the battle of Hastings with Normans fighting the Avengers. He studied visual art and printmaking in Wales, learning the traditional techniques of etching and mezzotint. He has now replaced the printing press with Photoshop and has been a digital artist for more than ten years, designing Steampunk, Sci-Fi, and Fantasy figures and scenes for books, games, and software.