Description
Offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. Covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations; as well as social issues which affect film-making, such as censorship. Includes fresh assessment of maverick directors; Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic Raymond Durgnat. Features personal insights from those inidividually implicated in 1950s cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the BFI on archiving and preservation. Presents a provocative challenge to conventional wisdom about 1950s film and rediscovers the Festival of Britain decade.
About the Author
Ian MacKillop is Professor of English Literature at the University of Sheffield. Neil Sinyard is Senior Lecturer in English at the University of Hull
Book Information
ISBN 9780719064890
Author Ian Mackillop
Format Paperback
Page Count 256
Imprint Manchester University Press
Publisher Manchester University Press
Weight(grams) 295g
Dimensions(mm) 216mm * 138mm * 13mm
About the Author
Ian MacKillop is Professor of English Literature at the University of Sheffield. Neil Sinyard is Senior Lecturer in English at the University of Hull
Book Information
ISBN 9780719064890
Author Ian Mackillop
Format Paperback
Page Count 256
Imprint Manchester University Press
Publisher Manchester University Press
Weight(grams) 295g
Dimensions(mm) 216mm * 138mm * 13mm
