Description
This volume attempts to join the disparate worlds of Egyptian, Maghrebian, South African, Francophone, and Anglophone African cinema - that is, five "formations" of African cinema. These five areas are of particular significance - each in its own way.
The history of South Africa, heavily marked by apartheid and its struggles, differs considerably from that of Egypt, which early on developed its own "Hollywood on the Nile." The history of French colonialism impacted the three countries of the Maghreb - Tunisia, Algeria, and Morocco - differently than those in sub-Saharan Africa, where Senegal and Sembene had their own great effect on the Sahelian region. Anglophone Africa, particularly the films of Ghana and Nigeria, has dramatically altered the ways people have perceived African cinema for decades.
History, geography, production, distribution, and exhibition are considered alongside film studies concerns about ideology and genre. This volume provides essential information for all those interested in the vital worlds of cinema in Africa since the time of the Lumiere brothers.
About the Author
Kenneth W. Harrow is Distinguished Professor of English at Michigan State University. His work focuses on African cinema and literature and diaspora and postcolonial studies.
Book Information
ISBN 9781611862454
Author Kenneth W. Harrow
Format Paperback
Page Count 314
Imprint Michigan State University Press
Publisher Michigan State University Press
Series African Humanities and the Arts
Weight(grams) 431g
The history of South Africa, heavily marked by apartheid and its struggles, differs considerably from that of Egypt, which early on developed its own "Hollywood on the Nile." The history of French colonialism impacted the three countries of the Maghreb - Tunisia, Algeria, and Morocco - differently than those in sub-Saharan Africa, where Senegal and Sembene had their own great effect on the Sahelian region. Anglophone Africa, particularly the films of Ghana and Nigeria, has dramatically altered the ways people have perceived African cinema for decades.
History, geography, production, distribution, and exhibition are considered alongside film studies concerns about ideology and genre. This volume provides essential information for all those interested in the vital worlds of cinema in Africa since the time of the Lumiere brothers.
About the Author
Kenneth W. Harrow is Distinguished Professor of English at Michigan State University. His work focuses on African cinema and literature and diaspora and postcolonial studies.
Book Information
ISBN 9781611862454
Author Kenneth W. Harrow
Format Paperback
Page Count 314
Imprint Michigan State University Press
Publisher Michigan State University Press
Series African Humanities and the Arts
Weight(grams) 431g
