A Postmodern Cinema by Mary Alemany-Galway

A Postmodern Cinema: The Voice of the Other in Canadian Film is both an informative description of postmodern and poststructuralist theory and an enlightening illustration of how Canadian filmmakers have used postmodern and poststructuralist cinematic technique in Canadian film. The book explores four films, Atom Egoyan's Family Viewing, Denys Aracand's Jesus of Montreal, Patricia Rozema's I've Heard the Mermaids Singing, and Bill MacGillivray's Life Classes. Using Canadian culture as an example of a marginalized culture, each film illustrates a different aspect of the marginalized experience. This book proposes a new scheme for a poststructuralist film theory. The author deals with the transition from modernism to postmodernism in literature and film and focuses on the relationship of Canadian film history to the formation of a Canadian identity.

About the Author
Mary Alemany-Galway teaches Media Studies at Massey University in New Zealand. Previously she taught Film Studies in Canada at Concordia University and Queen's University. She is the co-editor of Peter Greenaway's Postmodern/Poststructuralist Cinema (Scarecrow Press, 2001).

Reviews
...[has] much to offer...[raises] important questions about theorizing the spectator in the context of a national cinema at a time when the spread of multiculturalism and globalization is placing enormous pressure on traditional ideas of national identity. -- Jim Leach * Canadian Journal of Film Studies *
See the films. Read the book. * Senses Of Cinema *



Book Information
ISBN 9780810840980
Author Mary Alemany-Galway
Format Hardback
Page Count 240
Imprint Scarecrow Press
Publisher Scarecrow Press
Weight(grams) 499g
Dimensions(mm) 225mm * 145mm * 24mm