Description
'Ours is music with built-in hatred.' Pete Townshend A Band with Built-In Hate pictures The Who through the prism of pop art and the levelling of high and low culture it brought about. Peter Stanfield guides us through the British pop revolution as it was embodied by the band: first, under the mentorship of arch-mod Peter Meaden; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very centre of things in Soho. Guided by contemporary commentators - most conspicuously, Nik Cohn - Stanfield tells of a band driven by fury, and of what happened when they moved from explosive 45s to expansive concept albums. Above all, he describes how The Who confronted their lost youth as it was echoed in punk."
About the Author
Peter Stanfield is Emeritus Professor of Film at the University of Kent. His books include Maximum Movies - Pulp Fictions: Film Culture and the Worlds of Samuel Fuller and Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. Popular music is a key theme of all of his work, be it the blue yodel of a singing cowboy, or the chug 'n' churn of a greasy biker soundtrack.
Reviews
"Eloquently framing their success as the only successful 1960s UK pop/rock group that didn't want to be either the Beatles or the Rolling Stones, Stanfield locates the Who (and crucially their peak years, during which they were, he writes 'not copyists but innovators') at a boundary-breaking intersection of pop and art-rock." -- Tony Clayton-Lea * Irish Times *
"There's some very perceptive writing on the influence the Who had on the wider scene. . . . Essential reading for anyone who's ever loved the Who, or wants an insight into the Sixties' music scene that goes beyond greatest hits compilations and easy generalizations." * Louder Than War *
"If Roger Daltry's 2018 autobiography was a prosaic foot soldier's telling of the Who story, here is a view from the high plains. . . . The best parts of the book mirror the best of the Who, fizzing with ideas and connections. . . . This book vividly reanimates the nasty, transgressive, scene-shaping thrill of their beginnings." * Daily Mail *
"[An] ear for apt detail enriches Stanfield's stolid account. He plumbs archives for ephemeral magazines and forgotten interviews to reveal more than the standard recitals of the works." * PopMatters *
"Stanfield uncovers the underpinnings of the Who. . . . He has masterfully identified the mod, pop art, and art rock stages of the Who's career for rock fans and general readers alike." * Library Journal *
"[The book] brings together some significant criticism of the Who, connecting them with all manner of cultural references, and is a valuable addition to my ever-expanding Who library. That the Who continue to be so well-served by knowledgeable authors is a tribute to their importance." -- Chris Charlesworth * Just Backdated *
"A Band With Built-in Hate reaffirms the Who's importance to the rock and pop revolutions of the sixties and seventies." * Choice Magazine (UK) *
"Stanfield examines how the Who took in disparate influences from outside the rock world-influences flying in from the fine and pop arts, youth culture, and so-on-and shipped them back out to be co-opted by everyone from the Creation to the Sex Pistols. It is the first deep, book-length look at an important aspect of the Who's persona and art that is an integral portion of every book on the band." * Psychobabble *
"The best book on the Who. Stanfield understands that they were built entirely around opposition-they didn't want to be the Beatles or the Stones; they didn't even want to be the Who most of the time. He smartly states the case for peak Who as transgressive, how their clashing obsessions with primitive rock'n'roll and sociological statements made them so exciting. He also wisely concentrates on their peak years, before pop solidified as rock, when the Who were the closest thing to pop art British music has ever produced." -- Bob Stanley, founding member of St Etienne and author of "Yeah Yeah Yeah: The Story of Modern Pop"
"With impressive eloquence, A Band with Built-in Hate situates '60s Britain's most volatile and incendiary group at the heart of pop's wild vortex, its sonic assaults on the class system and the cultural status quo. Stanfield digs brilliantly into the Who's transgressions, their upending of entertainment, their transmuting of pop music into art-rock and proto-punk. He can see for miles." -- Barney Hoskyns, author of "Lowside of the Road: A Life of Tom Waits" and "Major Dudes: A Steely Dan Companion"
"That the Who's image was constantly shifting according to whatever they thought would best promote their music in the moment is the focus of Stanfield's new book A Band with Built-In Hate. Stanfield examines how the Who took in disparate influences from outside the rock world-influences flying in from the fine and pop arts, youth culture, and so-on-and shipped them back out to be co-opted by everyone from the Creation to the Sex Pistols. It is the first deep, book-length look at an important aspect of the Who's persona and art that is an integral portion of every book on the band. . . . Fills in the gaps of an important area of Who history." -- Mike Segretto, author of "The Who FAQ: All That's Left to Know About Fifty Years of Maximum R&B"
Book Information
ISBN 9781789142778
Author Peter Stanfield
Format Hardback
Page Count 320
Imprint Reaktion Books
Publisher Reaktion Books
About the Author
Peter Stanfield is Emeritus Professor of Film at the University of Kent. His books include Maximum Movies - Pulp Fictions: Film Culture and the Worlds of Samuel Fuller and Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. Popular music is a key theme of all of his work, be it the blue yodel of a singing cowboy, or the chug 'n' churn of a greasy biker soundtrack.
Reviews
"Eloquently framing their success as the only successful 1960s UK pop/rock group that didn't want to be either the Beatles or the Rolling Stones, Stanfield locates the Who (and crucially their peak years, during which they were, he writes 'not copyists but innovators') at a boundary-breaking intersection of pop and art-rock." -- Tony Clayton-Lea * Irish Times *
"There's some very perceptive writing on the influence the Who had on the wider scene. . . . Essential reading for anyone who's ever loved the Who, or wants an insight into the Sixties' music scene that goes beyond greatest hits compilations and easy generalizations." * Louder Than War *
"If Roger Daltry's 2018 autobiography was a prosaic foot soldier's telling of the Who story, here is a view from the high plains. . . . The best parts of the book mirror the best of the Who, fizzing with ideas and connections. . . . This book vividly reanimates the nasty, transgressive, scene-shaping thrill of their beginnings." * Daily Mail *
"[An] ear for apt detail enriches Stanfield's stolid account. He plumbs archives for ephemeral magazines and forgotten interviews to reveal more than the standard recitals of the works." * PopMatters *
"Stanfield uncovers the underpinnings of the Who. . . . He has masterfully identified the mod, pop art, and art rock stages of the Who's career for rock fans and general readers alike." * Library Journal *
"[The book] brings together some significant criticism of the Who, connecting them with all manner of cultural references, and is a valuable addition to my ever-expanding Who library. That the Who continue to be so well-served by knowledgeable authors is a tribute to their importance." -- Chris Charlesworth * Just Backdated *
"A Band With Built-in Hate reaffirms the Who's importance to the rock and pop revolutions of the sixties and seventies." * Choice Magazine (UK) *
"Stanfield examines how the Who took in disparate influences from outside the rock world-influences flying in from the fine and pop arts, youth culture, and so-on-and shipped them back out to be co-opted by everyone from the Creation to the Sex Pistols. It is the first deep, book-length look at an important aspect of the Who's persona and art that is an integral portion of every book on the band." * Psychobabble *
"The best book on the Who. Stanfield understands that they were built entirely around opposition-they didn't want to be the Beatles or the Stones; they didn't even want to be the Who most of the time. He smartly states the case for peak Who as transgressive, how their clashing obsessions with primitive rock'n'roll and sociological statements made them so exciting. He also wisely concentrates on their peak years, before pop solidified as rock, when the Who were the closest thing to pop art British music has ever produced." -- Bob Stanley, founding member of St Etienne and author of "Yeah Yeah Yeah: The Story of Modern Pop"
"With impressive eloquence, A Band with Built-in Hate situates '60s Britain's most volatile and incendiary group at the heart of pop's wild vortex, its sonic assaults on the class system and the cultural status quo. Stanfield digs brilliantly into the Who's transgressions, their upending of entertainment, their transmuting of pop music into art-rock and proto-punk. He can see for miles." -- Barney Hoskyns, author of "Lowside of the Road: A Life of Tom Waits" and "Major Dudes: A Steely Dan Companion"
"That the Who's image was constantly shifting according to whatever they thought would best promote their music in the moment is the focus of Stanfield's new book A Band with Built-In Hate. Stanfield examines how the Who took in disparate influences from outside the rock world-influences flying in from the fine and pop arts, youth culture, and so-on-and shipped them back out to be co-opted by everyone from the Creation to the Sex Pistols. It is the first deep, book-length look at an important aspect of the Who's persona and art that is an integral portion of every book on the band. . . . Fills in the gaps of an important area of Who history." -- Mike Segretto, author of "The Who FAQ: All That's Left to Know About Fifty Years of Maximum R&B"
Book Information
ISBN 9781789142778
Author Peter Stanfield
Format Hardback
Page Count 320
Imprint Reaktion Books
Publisher Reaktion Books
